Saturday, February 14, 2015

Might be We There

There's a great attach on YouTube of singer-songwriter Sharon Viajan Etten playing "People Ain't Poor quality, " by Nick Cave, who she toured with last year. The right way telling footnote to her magnificent suit LP, which grows her figure examinations of romantic decay to assist you to cathedral-like scale. Like Cave, this lady darkness contains multitudes.

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The decoration comes early: "Your Love Is ordinarily Killing Me" is a six-minute sonnet opening with funereal organ together with laundry list of violent fantasies which experts claim build to guitar crescendos. "Taste blood/Everybody needs to feel, " lindsay sings, sounding like Tilda Swinton sipping O-positive in last year's arty vampire film Only Drinkers Left Alive. The palette is much less guitar-centered than Van Etten's gmc breakthrough, Tramp. Keyboards and woodwinds shroud processed beats; "Our Love" is nearly an Eighties synth ballad but for lines like "At underneath of a well/I'm reliving my own terrible. " The tonal purity with Van Etten's voice, and this lady remarkable feel for harmonies, often be her signatures. But after all along with the surgery, the closer, "Every Days the Sun Comes Up, " pulls again the curtain a bit: "People tell I'm a one-hit wonder, but you may be wondering what happens when I have two? " lindsay asks cheekily. Define "hit" any time you like; that she's a amazing, there's no doubt.

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